Tribune bloggers Jeanne DePaul and Susie Engle give their thoughts about “American Idol” from Feb. 17.
Susan Engle: I usually don’t get bored with American Idol until mid-April, when the Top 10 is being winnowed down, the “don’t have a chancers” get the boot and the endless commercial that is AI ramps into full gear.
Hollywood Week (or in this case, Hollywood 2 Weeks) is usually the best part of Idol. By that time, Idol has finished torturing us with endless bad auditions by reality fame whores and heartstring-tugging sob stories that make up the bulk of the audition shows. Hollywood Week is usually when they trot out the folks who can actually sing and give viewers a chance to start identifying favorites to follow.
Not this year. Hollywood Week has been an interminable string of judgetalk, torture-the-contestants images and Ryan Seacrestisms, interspersed with tiny little snippets of actual songs.
Let’s face it. American Idol has lost its mojo. It isn’t the loss of Paula. It’s not the addition of Kara (although she contains to suck in oh-so-many ways). It’s not the addition of Ellen DeGeneres, who I like and think is actually adding a certain something to the show. It’s like I’m skipping down the Yellow Brick Road and see Oz in the distance and hovering over the Emerald City is a giant Wizard pulling strings and manipulating everything. I always knew I was being manipulated before, but it was subtle enough I could enjoy the show anyway.
Not so, anymore. Not for me, at least.
Jeanne DePaul: I used to enjoy Hollywood week as the time when we’d leave the freaks behind and we’d finally get to see some good singers. But what producers are giving us now is so fragmented, we never get to see someone sing an entire song.
The groups used to be amazingly good, as the hopefuls would stay up all night, and come up with great harmonies and dance moves. Now we get to see so little of them, instead spending most of our time watching the judges shuffle through photos of the contestants.
The show isn’t about singing anymore. It’s more about the most interesting or saddest or most triumphant backstory. If you don’t have at least something to offer — like a dead parent or a handicapped sibling or you lost all your belongings in a horrible house fire or you suffer from a debilitating disease — forget about it.
You may have pipes like Aretha Franklin but you are not getting any Idol facetime.
Wednesday’s show was a good example and it’s what made it easy for the Olympics broadcast, fragmented and tape delayed as it is, to blow past Idol in the ratings. The entire show was watching hopeful after hopeful be called onto a stage to be tortured by the judges.
I don’t know who suffers more, us or them, but watching that coy dance the judges do where they draw out the drama of whether the Idol hopeful is in or out is nauseating. I wish they’d just post a list on the wall of who’s in, so we could spend more time listening and less time squirming in discomfort.
Remember Michael Johns from Season 8? His rendition of Queen’s “Bohemian Rhapsody” is still one of the best performances ever during Hollywood week. The way things are now, we’ll never see another like it. In fact, we’ll never even see another Hollywood week song.
Engle: With what little they’ve shown of the contestants, it’s hard to get a handle on who’s really good and who are sacrificial lambs chosen as “ringers” for the home audience to vote out.
My favorites, so far, are:
Crystal Bowersox, whose 30 seconds of “Natural Woman” wowed the judges. There’s lots of talk online about her bad teeth, which look as if they’ve been damaged by antibiotic use.
Haeley Vaughn, who we haven’t seen too much of during Hollywood Week, but who blew me away with her country-tinged vocals during the audition. It’s hard to tell if she can maintain the quality, or if she’s a one-audition wonder.
Siobhan Magnus, she of the cool name and big voice.
Not one of the guys has blown me away and the remainder of the women have underwhelmed as well. Guess we’ll find out next week.
DePaul: I’m glad you remember the names. I can only put one name with a face and that’s Siobhan Magnus, for some reason. Maybe it’s because her name and look is so distinctive. I like the way she sounds, and I like several others, including the one who played harmonica and guitar. There are a couple of the men who I think have what it takes, including the dark-haired guy with glasses and the guy with the long blond hair who took off his shirt during his audition.
At any rate, when the live shows start Tuesday (Feb. 23), we’ll finally get to see them sing an entire song and we can really judge for ourselves.
Not that I’ll ever vote or anything like that.












